Derek Jarman at Prospect Cottage, Dungeness, 1989,
Geraint Lewis

‘Les Pains de Picasso’ (Picasso's Breads), 1952,
Robert Doisneau

Orange Wax candle representing torre Velasca,
BBPR

Birkenstock brochure, 1972

L2 Loudspeaker, 1958,
Dieter Rams for Braun

Med: A Cookbook, 2021,
Claudia Roden

Sculptor Lynda Benglis on LOEWE Pre-Fall Campaign Cover, 2022,
Juergen Telle

Duane Michaels in his study, 2022,
Quentin de Briey


Anne Truitt in her Twining Court studio, 1964

Derek Jarman’s Studio Desk, Dungeness, 1989

A study in narrative and heritage.
BIRKENSTOCK, the global German footwear brand defined by function, quality and tradition, with roots that can be traced back to 1774, partners with Song for the Mute, the Australian fashion label founded by designers Melvin Tanaya and Lyna Ty, in a collaboration grounded in character and craft – where footwear and clothing act as extensions of identity.
Rooted in BIRKENSTOCK’s legacy of utility and form and reimagined through Song for the Mute’s language of tactility, texture, and irregularity, the collection builds on a sense of poetic, character-led familiarity. The framework of the collection is a cast of four distinct characters: The Artist, The Rebel, The Gardener, and The Collector. Each exists within the same imagined world, living within memory and materiality. Each character is articulated as a complete archetype – silhouette, materials, and objects operating as a single expression of identity.
All feature a custom BIRKENSTOCK x Song for the Mute metal rivet – a subtle yet unprecedented mark of collaboration, previously unchanged in BIRKENSTOCK’s 250-year history. When combined, footwear and clothing function as artefacts of their wearer: lived-in, purposeful, and expressive of character.